I am interested in the symbiosis in the universe and the subjectivity of experience as it reflects in the micro and macro interconnections of matter.

My site-specific sound and 3D animation installations use industrial materials and technological processes to create installations that heighten our temporal awareness of the built environment. The works are composed with vibrations that form sonic spaces alongside sculptural animated projections. 

All of the sounds in my work are produced through vibrations—there are no speakers and the architectural space itself—the walls, the floor, the air, and the viewer's body become a field of sounds. The patterns of sounds created within the installation are at once highly planned and entirely contingent on the reactions and resonances of the space and the viewer.

3D animations projected onto the sculptural objects further restructure how the viewer perceives and moves through the space.

All the components of my site-specific works continuously interconnect with existing architecture and each other, gesturing to how intangible spaces within us, such as memory, knowledge, and perception, are controlled and regimented.

The constructed elements within these installations serve as sound objects, sound conduits, analog amplifiers, and spatial reconstructions. The pieces choreograph the viewer through built space, with each step unfolding a new set of perceptual relationships between the viewer, constructed environment, and the continuous flow of transformation of matter.